Women’s Ride4Justice: Reclaiming darkly bike paths on UN International Day of Forests

Women's Ride4Justice: Reclaiming darkly bike paths on UN International Day of Forests. Bicycles Create Change.com. 27th March 2021.
Celebrating Women’s Month and Day of the Forests at our local ‘Tree of Light’.

March is a busy month!

Around the world, March is known as ‘Women’s Month’.

The last few posts have shared some events that celebrate female achievements and raise awareness for women, gender and social justice issues, such as Women’s History Month (Royal Australia Historical Society, Dr Katie Phillips (USA) and Dr Kat Jungnickel (UK) as well the Brisbane chapter of one of the Australian Women’s March4Justice protests – which I attended in appropriate bike-based attire, replete with a dual-sided (inclusive-confrontational) homemade sign.

But not many people know that March 21st was the UN International Day of Forests.

So to commemorate both Women’s Month and Day of the Forests, I put the call out to three inspiring female friends (Nix, Alex and Wendy) who work to improve gender and environmental imperatives – and invited them to come for a night-time ride along our bayside foreshore to visit the ‘Tree of Light’ to honour the ‘every tree counts’ key theme for this year’s Day of Forests.

And so we did – and we had a great time!

It was low-key, colourful and super fun.

I let them know I was dressing up and they were welcome to join me if they wanted to. I know dressing up is not everyone’s jam – but they all arrived at my place dressed up as well! Not only was this a way to have fun, but it was also a subversive ‘up-yours’ to social expectations of what is ‘appropriate’ for a woman to wear in public and traditional views of women dressing ‘properly’ and ‘conservatively’.

My idea was to go for a night ride ‘reclaim the night/bike path’ style. I deliberately arranged our departure for 7.30 pm – when it was ‘darkly’ – and after dinner – a time most women are socially trained to stay in as it is ‘not safe’ to be out at night.

There were four of us for this ride. On the ride were myself and the formidable Nix (who you might remember from the New Materialists Garden – PhD Retreat), as well as Wendy and Alex, who are two of ‘Green Aunties’ from my community garden. Both Wendy and Alex are in their legacy years and rode pedal-assist bikes.

  • Women's Ride4Justice: Reclaiming darkly bike paths on UN International Day of Forests. Bicycles Create Change.com. 27th March 2021.
  • Women's Ride4Justice: Reclaiming darkly bike paths on UN International Day of Forests. Bicycles Create Change.com. 27th March 2021.
  • Women's Ride4Justice: Reclaiming darkly bike paths on UN International Day of Forests. Bicycles Create Change.com. 27th March 2021.
  • Women's Ride4Justice: Reclaiming darkly bike paths on UN International Day of Forests. Bicycles Create Change.com. 27th March 2021.
  • Women's Ride4Justice: Reclaiming darkly bike paths on UN International Day of Forests. Bicycles Create Change.com. 27th March 2021.
  • Women's Ride4Justice: Reclaiming darkly bike paths on UN International Day of Forests. Bicycles Create Change.com. 27th March 2021.
  • Women's Ride4Justice: Reclaiming darkly bike paths on UN International Day of Forests. Bicycles Create Change.com. 27th March 2021.
  • Women's Ride4Justice: Reclaiming darkly bike paths on UN International Day of Forests. Bicycles Create Change.com. 27th March 2021.
  • Women's Ride4Justice: Reclaiming darkly bike paths on UN International Day of Forests. Bicycles Create Change.com. 27th March 2021.
  • Women's Ride4Justice: Reclaiming darkly bike paths on UN International Day of Forests. Bicycles Create Change.com. 27th March 2021.

As if the aunties weren’t brave enough doing this ride, I also found out just before we left that Wendy and Alex had never been for a night ride before. This was a big win for women-them-us-community claiming public space – at night – in a super positive and direct way!

It was a stunning evening – clear, warm and inviting. The moon was out and our community was safe and welcoming.

We saw a few people as we started out, but the more we rode, the less people there were about until we saw no one on our return trip at all. We had the whole place to ourselves! While we rode we discussed what it felt like to be ‘out alone’ and ‘roaming the streets.

It was brilliant!

We rode 6kms along the foreshore, then stopped at the ‘The Tree of Lights’ to have a break where we joked, enjoyed, paid homage to women’s month – and trees and forests. Then I rode my guests happily home.

Our ride was a small, but wonderfully personal way to honour and celebrate sisterhood, forests, and being free to ride our bikes wherever and whenever we want to.

If you have not been out for night ride recently – I highly recommend it.

Grab a mate and your bikes and go visit a tree in your area!

Happy riding!

Key messages of the UN International Day of Forests

The UN are promoting 8 key messages for the 2021 International Day of Forests:

Healthy forests mean healthy people.

Forests provide health benefits for everyone, such as fresh air, nutritious foods, clean water, and space for recreation. In developed countries, up to 25 percent of all medicinal drugs are plant-based; in developing countries, the contribution is as high as 80 percent.

Forest food provides healthy diets.

Indigenous communities typically consume more than 100 types of wild food, many harvested in forests. A study in Africa found that the dietary diversity of children exposed to forests is at least 25 percent higher than that of children who are not. Forest destruction, on the other hand, is unhealthy – nearly one in three outbreaks of emerging infectious disease are linked to land-use change such as deforestation.

Restoring forests will improve our environment.

The world is losing 10 million hectares of forest – about the size of Iceland – each year, and land degradation affects almost 2 billion hectares, an area larger than South America. Forest loss and degradation emit large quantities of climate-warming gases, and at least 8 percent of forest plants and 5 percent of forest animals are at extremely high risk of extinction. The restoration and sustainable management of forests, on the other hand, will address the climate-change and biodiversity crises simultaneously while producing goods and services needed for sustainable development.

Sustainable forestry can create millions of green jobs.

Forests provide more than 86 million green jobs and support the livelihoods of many more people. Wood from well-managed forests supports diverse industries, from paper to the construction of tall buildings. Investment in forest restoration will help economies recover from the pandemic by creating even more employment. 

It is possible to restore degraded lands at a huge scale.

The Great Green Wall for the Sahara and the Sahel Initiative, launched by the African Union in 2007, is the most ambitious climate-change adaptation and mitigation response under implementation worldwide. It seeks to restore 100 million hectares of degraded land, sequester 250 million tonnes of carbon and create 10 million green jobs by 2030, while greening landscapes in an 8 000 km belt across Africa’s drylands. Vast areas of degraded land elsewhere would also become highly productive again if restored with local tree species and other vegetation.

Every tree counts.

Small-scale planting and restoration projects can have big impacts. City greening creates cleaner air and more beautiful spaces and has huge benefits for the mental and physical health of urban dwellers. It is estimated that trees provide megacities with benefits worth USD 0.5 billion or more every year by reducing air pollution, cooling buildings and providing other services.

Engaging and empowering people to sustainably use forests is a key step towards positive change.

A healthy environment requires stakeholder engagement, especially at the local level so that communities can better govern and manage the land on which they depend. Community empowerment helps advance local solutions and promotes participation in ecosystem restoration. There is an opportunity to “rebuild” forest landscapes that are equitable and productive, and that avert the risks to ecosystems and people posed by forest destruction.

We can recover from our planetary, health and economic crisis. Let’s restore the planet this decade.

Investing in ecosystem restoration will help in healing individuals, communities and the environment. The aim of the UN Decade on Ecosystem Restoration, which starts this year, is to prevent, halt and reverse the degradation of ecosystems worldwide. It offers the prospect of putting trees and forests back into degraded forest landscapes at a massive scale, thereby increasing ecological resilience and productivity. Done right, forest restoration is a key nature-based solution for building back better and achieving the future we want.

Women's Ride4Justice: Reclaiming darkly bike paths on UN International Day of Forests. Bicycles Create Change.com. 27th March 2021.
Source: UN

Geography and Collective Memories through Art Workshop

Recently, I attended a very unique opportunity: a 4-part virtual Geography, Art and Memory Workshop co-convened by Griffith’s Centre for Social and Cultural Research Dr Laura Rodriguez Castro, Dr Diti Bhattacharya, Dr Kaya Barry and Prof. Barabra Pini.

As a New Materialisms community bike researcher working in Sierra Leone, my work is embedded with post(de)coloniality, cultural dynamics, current-past experiences, gender, geography, mobility and space-time-matterings.

So I was excited about this workshop! Right up my (v)alley! (Get it? Geo joke!)

This workshop invited us to examine and experiment with the cultural and political potentials of ‘memory through art’ in geography inquiry. We looked at creative practices, collaborated and had discussions on some key and pressing issues related to our specific research. There was also the added bonus of an invitation to contribute to a Special Issue of Australian Geographer (2022).

In this session we asked:

What does art do to geographies of memories?

Geography and Collective Memories through Art Workshop. Bicycles Create Change.com. 17th February 2021.
Image: Memories Through Art

A workshop in 4 parts

The workshop was structured in four parts:

Part 1 – 1st February 2021 by 5:00pm: In the week leading up to the event, workshop participants submitted a 1 page (A4 portrait or landscape) response to the question: ‘What does art do to geographies of memory?’ The response could be written, creative, drawn, mapped, photos, collage, text, prose, or more. We will share these on our website, and will form a key discussion point for the interactive workshop event.

Part 2  – 4th February 2021, 3:00pm-5:00pm:  We attended the keynote presentations by Libby Harward (Australia) and Virgelina Chara (Columbia). These two artists (see below) work with the current pressing issues of geographical research, treating them as a threshold point for their own creative responses and provocations that they may choose to share during parts 3 and 4. We focused on artistic interventions from Southern epistemologies as these continue to be underrepresented in Australian geography.

Part 3 – 5th February 2021, 9.30am – 12:30pm: Each participant gave an informal 5-minute talk about their creative response which they submitted prior to the workshop. (See my submission is at the end of this post).

Part 4 (optional) – 5th February 2021, 12:30pm – 1:30pm: In the final hour, we collectively discussed how to take these ideas and discussions forward as a Special Issue of Australian Geographer integrating some of the workshop themes.

Keynote speakers

Virgelina Chara

Virgelina Chará is a human rights defender, educator, embroidery artist and protest music composer from Colombia. She coordinates the ‘Association for the Integral Development of Women, Youth and Children’ (ASOMUJER y Trabajo) which works with forcibly displaced families and victims of the  armed violence in Colombia. She is also the leader of the Embroidery Union at the Memory Centre for Peace and Reconciliation in Bogotá, Colombia. She is a world-renowned educator on the pedagogy and power of memory for the construction of peace.

She was born in Suárez, Cauca, which is a region where armed conflict, extractivism and neoliberal development have meant many people, including Virgelina and her family, have had to confront violence and displacement.  Since 2003 Virgelina has resided in Bogotá. In 2005 she was proposed as a nominee for the Nobel Peace Prize.

You can read more on Virgelina’s work here (left click to Google Translate to English).

Libby Harward

Artist Libby Harward is a descendant of the the Ngugi people of Mulgumpin (Morton Island) in the Quandamooka (Morton Bay Area).

Known for her early work as an urban graffiti artist under the pseudonym of ‘Mz Murricod’, and her performance-based community activism, Harward’s recent series, ALREADY OCCUPIED, engages a continual process of re-calling – re-hearing – re-mapping – re-contextualising – de-colonising and re-instating on country that which colonisation has denied Australia’s First Peoples.

This political practice engages Traditional Custodians in the evolution of ephemeral installations on mainland country which has become highly urbanised and calls for an artistic response that seeks to uncover and reinstate the cultural significance of place, which always was, and remains to be there. Her current place-based sound and video work engages directly with politically charged ideas of national and international significance. 

You can find on Libby’s work here and read more on her project DABILBUNG here.

Workshop foucs

During this workshop we discussed themes of memory, art, and geographical knowledge in order to motivate a creative dialogue among geographers, artists, and activists.

We talked about the key question and looked at how to move beyond methodological debates and how to use art mediums as approaches to bring to light the affective and political forces of place speaking to timely and important issues such as  colonialism, climate change, migration and peace and conflict.

There was a strong focus on Indigenous and Southern epistemologies and discussions on how to decolonize feminist research involved with geography, power, labour, art, and memory.

Geography and Collective Memories through Art Workshop. Bicycles Create Change.com. 17th February 2021.
Image: Still taken from Virgelina Chará’s keynote.

Workshop convergences, notes, artifacts and ideas

I was heavily invested in the discussions, which were provocative, rich and challenging. Out of respect for the content and participants present, I have chosen to deliberately deviate from the traditional blog ‘reportage’ style of summarising the workshop. Instead, I am using a non-linear, fragmented, messy, (in)process(un)complete, more New Materialist approach to ‘throw up’ a few random snippets, thoughts and connections I noted during these sessions. The below content is a deliberate post-human shift from presenting content as if it is ‘right’, ‘accurate’ or ‘makes sense’ to humans-participants-knowers. While some content may make sense – some may not. There are no mistakes or errors in these notes. So for the below notes, you dear reader, are implicated in the reiteration and (re)co-creation of the workshop ‘matters’ ….. here we go!


This story is ‘sew’ important …memory, history and life for so many, but new information for others (like me) elsewhere..truthtelling, invasion, pollution, academic violence and extractivism…The ‘Justice ‘ dept,  The Memory Centre, the Power of Memory, parent-teacher-adult time with student-children-learner, ‘education is so square now’, pedagogy of memory, to the teachers: ‘do you realise you are the useless ones here?’… we don’t do it through writing, we do it through sewing and food, they have had massacres in every country, ‘ (Duque) he’ is just the model..creative outputs that help us think about these issues…

Some participants linked Virgelina‘s keynote to other textile protests, work and exhibitions, such as:

Libby shares with us her visionary bloodletting, deadstream and saltwater reflections. Flow. Sand Crunch. Lying in grass. Forms and textures. Listen (more) carefully. Birds-eye views. Film as experiential documentation. Art that moves and breathes. Unexpected. Tasmanian salvaged timber. Art(work)s. lying – lying. Post-colonisation – Decolonisation.

Geography and Collective Memories through Art Workshop. Bicycles Create Change.com. 17th February 2021.

Mike is a chairmaker and researcher. Listening to Mike makes me think about how the ideological state apparatus presents a ‘version of collective memory-truth’ (ie statues & iconoclasts) – that is literally set in concrete (or other material) and associated forms of patriarchal, colonistic (tee-hee..get it?! not now, stay focus(ed), be serious!), political issues that go along with that kind of art …and that the artist is rarely? clearly? identified or acknowledged….after all it is their output/work/….

Mike shares this…… Mae’s Lullaby.

Amelia shares that…………..A millennia of seepage.

A Janet Cardiff work in Sydney…..the city of forking paths.

Eva links to Bangala’s most recent site-specific commission, but there is also The Distance From Your Heart.

The importance of having smaller groups and being able to share our ideas as opposed to the large groups and conferences.

I share Janis Hanley’s blog Local Yarns which looks at critical heritage and textiles in Qld..memory artifacts.

Started with a basket that reps KP and her thinking of the time – enfolding life.

Katie is inspired by John Wolseley – an artist who moves through the ecology to make art.

BI re(views) the memory artifacts produced: Proserpine Ambulance Depot (1990), Proserpine Hospital Outpatients Department (1939-1999), Proserpine RSL Club (1950-1990), and the Eldorado Picture Theatre (1927-1985).

Janis literary maps and remaps the Queensland Wollen Manufacturing Company floorplan(s) with mill(field)work, mill(i)visits, millscapes and milieus. Overlaying Coral’s draft interpretations of Mud Maps. Ron’s List across the ages – staff payroll (50?) years on.

Geography and Collective Memories through Art Workshop. Bicycles Create Change.com. 17th February 2021.

Embodiment -moving through time-space-places

Public art

Art, bike, memory and geography

Institualization of memory – academic violences – uni mapping vs uni tracing

Watch the film: Painting country

Mapping the way? Maps, Emotions, Gender by Mike Esbester ……… WTF!!! THIS WAS ME IN DEC! The link! TConvergence with my thought-bridge(s) as I navigate-share-move with my own Bikes, Maps and Emotions! Woah! That’s a little spooky! I knew this session had cross-overs!

Daphne Backer (Suriname) architectural Twitter conversation

Centraling forms of memory – institutionalizing memory (through art)

It is the official institutions that get the money/funding – not the collectives

Didactic vs dialectic institutional

By the end, I am tired and about to implode.

I might have lost it in the final 5 mins.

Some Emerging Themes:

  • Contaminated materials and lives + (de)contamination and the materiality of life
  • Decolonising memory
  • More-than-human memory (not-human and not-human time scale)
  • Extractivism and memory
Geography and Collective Memories through Art Workshop. Bicycles Create Change.com. 17th February 2021.
Image: My contribution: Veloethnogeotracing

Parts of this post taken from the Memory Through Art homepage.

Cyclisk

Cyclisk. Bicycles Create Change.com. 31st January 2021.
Image: Diana Faw

What is it?

Cyclisk is a 65-foot high (five-story), 10, 000 pound (4,535 kg), Egyptian-style obelisk made from 340 recycled bicycles. This commissioned artwork was created in 2010 by artists Mark Grieve and Ilana Specto and installed in Santa Rose, California (USA).

EPIC!!!

Mark and Illana collected unusable bicycles and cleaned them up, then welded together into a steel superstructure to create a towering obelisk form.

This project is considered to be a landmark in gateway public work.

Here is more about it…

Cyclisk. Bicycles Create Change.com. 30th January 2021.

Project background

The Santa Rosa’s City’s Art and Culture Element in the General Plan 2020 calls for creating inspiring places for the residents and visitors.

By law in Santa Rosa, any construction project costing over $500,000 must put 1% of their budget toward public art.

This has led to the creation of hundreds of benches and murals in the city, along with the Cyclisk.

The project site for Cyclisk was chosen because of its proximity to the Nissan car dealership, who funded the funded the “1% for Art” requirement.

Cyclisk is one of the largest public art projects in the region.

Once installed, it quickly gained news attention such as Wired’s Gadget Labs and Inhabitat won a number of awards, like AIA Decade of Design First Place Award, a Structural Engineers (SEAONC) award, and the prestigious Public Art Network Year in Review Award.

Cyclisk. Bicycles Create Change.com. 30th January 2021.
Image: Inhabitat

Materials & Budget

The project budget was $37,000 and included expenses related to design development, engineering, collecting and disassembling bike parts from nonprofit bike bicycle groups, insurance, fabrication, special inspections, transportation, installation of the artwork, and all other project-related expenses.

All work was completed by artists and Grieve and Spector who chose not to take an artist fee in order to create the necessary scale required for such a work.

Architect Daniel Strening and ZFA Engineering also donated time to make the project happen.

Bicycles were collected from the debris bins of the following bicycle kitchens: Trips for Kids/Recyclery in San Rafael, Bici Centro in Santa Barbara, and Community Bikes in Santa Rosa, as well as individual donors who formed integral partnerships.

Every bicycle (and the monument’s one tricycle) were beyond the point of riding.

Besides bicycle parts, the monument was sprayed with a treatment to help preserve its color and integrity.

The towering traditional Egyptian-style obelisk made of reclaimed bicycle parts brings a sense of whimsy and regal ridiculousness to a previously downtrodden section of the City of Santa Rosa.

It also shows you can shape a landfill-bound material into a polished form.

According to the artists: Cyclisk creates a series of intersecting rhythms – a visual metaphor for the human experience exploring technology and the humanities – history and possible futures – individual as well as collective for the City of Santa Rosa landmark, evoking a “world of possibilities,” for years to come.

Cyclisk. Bicycles Create Change.com. 30th January 2021.
Image: My MOMA

Some content for this post sourced from CODAworx, Atlas Obscura and Santa Rose City.

Cycle Ink (Part 2): A tattooist’s POV on bicycle tattoo meaning and symbolism

Cycle Ink (Part 2): A tattooist’s POV on bicycle tattoos meaning and symbolism. Bicycles Create Change.com. 20th January 2021.

It’s been too long since our last cycle ink post!

By ‘cycle ink’ – I mean bicycle tattoos!

I first posted about Cycle Ink way back in August 2016, where I delved into the bike-tattoo world as an antidote for too much solo work time. And boy did it do the trick!  

In that post I asked the question:

If you got a bike tattoo, where and what would you get?

Then for variety (and for those who did not want to commit to the permanency of a tattoo), I had a look at some bike-themed temporary tattoos – many of which you can get online. These are great for experimenting if you are thinking of getting a permanent one – as well as scaring loved ones, parents and those who think you (will always be) a straighty-one-eighty. So wrong!

And the last bike tattoo post was on a very specific (or should I say body located) subset of this genre – the thigh bicycle tattoo. Thigh tattoos are unique and unusual, but for bike riders who often wear short-legged clothing or who see their upper legs a lot as they ride – having a thigh tattoo makes sense. 

Cycle Ink (Part 2): A tattooist’s POV on bicycle tattoos meaning and symbolism. Bicycles Create Change.com. 20th January 2021.

Bicycle Tattoos: Meaning and symbolism

While checking out bicycle tattoos online recently, I came across a US website called TattooSEO which is a tattoo networking site. They had an article entitled Bicycle Tattoo. which was about the meaning’ and ‘symbolism’ of bicycle tattoos. It was interesting to hear ideas on design and choice from the tattooists/designers’ POV. It is a little simplistic, but I think it is a good entry point for discussions with ‘customers’ about what they want and considerations regarding choice, design and representation. Keep in mind that this site is for tattooists and those interested in tattooing, not necessarily bike riders. I thought it gave an interesting alternative perspective, so I have included their post here (my own highlighted words) in full below.  Enjoy! NG.

Lovers of bicycles big and small are fantastic candidates for the bicycle tattoo, which can be designed in thousands of different ways. Not only that, these bike tattoos can also bring with them plenty of great meanings that a lot of people could work with. On this page we will take a look at some of those meanings and ways that you can get your favorite bicycle tattooed on your skin.

The most obvious meaning attached to each bicycle tattoo is the love of riding. Whether you are a professional bicyclist or simply someone who loves to ride around and see the world on your bike, this could be a great tattoo idea for you. What’s pretty great about this meaning is that you do not have to add in any other images or any text to the design for people to recognize the symbolism of your tattoo.

Another cool bicycle tattoo meaning that you can use is “adventurous,” which tells outsiders that you have a love for getting out and exploring the world. Even if you only sometimes actually get on your bike and go for long adventures, the bike tattoo can work for you. It’s a great meaning for people who regularly take trips to the mountains, go out on the water fishing, or even simply travel the world.

Cycle Ink (Part 2): A tattooist’s POV on bicycle tattoos meaning and symbolism. Bicycles Create Change.com. 20th January 2021.

Some people will get their bike tattoos because it reminds them of some great times they had on their bicycles when they were younger. This is a kinda-sorta symbol of innocence that people can use to show that they still remember the good old days and they have not completely let go of their youth. The bicycle can work by itself when using this meaning, and you can also add in additional symbols of innocence if you want the meaning to be clear to everyone that sees your tattoo.

Another thing that can add to the meaning of your bicycle tattoo is the type of bike you have designed. For example, tricycles can be used to represent your innocence or even your love for your children, while a professional bike can show that you yourself love to get out and ride. Other options include classic bicycles and tandem bikes tattoos, which can bring with them additional meanings that you can attach to your design.

While most people get the bicycle by itself in their tattoos, others choose to add background landscapes or other images with their bikes. This is especially true in bicycle tattoos meant to represent adventure since they show the bike out in the world. In reality, you can include a landscape or some other background in any type of bike tat, but it’s important that you know the implied meanings that come with those backgrounds.

Cycle Ink (Part 2): A tattooist’s POV on bicycle tattoos meaning and symbolism. Bicycles Create Change.com. 20th January 2021.
Cycle Ink (Part 2): A tattooist’s POV on bicycle tattoos meaning and symbolism. Bicycles Create Change.com. 20th January 2021.

In most cases, people get full-bodied bikes in these tattoos, but others will only include a bicycle part or two in their designs. For example, you can get a bike gear or a chain as a cool alternative bike tattoo, yet you’ll still be able to retain all of the great meanings mentioned above. You might also opt to “chop” part of the bike off to either make it fit in your design or to add in additional effects.

It might not seem like it, but the bicycle tattoo can actually fit just about anywhere on the body. That’s really great since it gives you more flexibility with your design and you can make it fit where you want it. That doesn’t mean you should just design anything and expect that it will end up looking great anywhere on your skin, but it does mean you don’t have to worry about it not being able to fit anywhere.

Cycle Ink (Part 2): A tattooist’s POV on bicycle tattoos meaning and symbolism. Bicycles Create Change.com. 20th January 2021.

One of the most popular locations for bicycle tattoos is the arm since it is one of the best spots to show the bike “moving” across the skin. Those looking for a great forearm design might want to add the bicycle to their options, especially if any of its meanings work well for them. The leg is yet another great place to put a bike tat as it can work as a wraparound tattoo or designed vertically. If you want to enlarge your design, you can pretty easily make the bike work on the back or on the chest, too.

Bike tats can also be wrist or ankle tattoos since you don’t lose any meaning by shrinking them down a bit. The decisions people have to make with these designs are whether they want to have them go around their wrists or ankles or have the bikes pointing towards their hands or forearms. The wrist is a great spot for one of those bike part designs we talked about earlier, particularly a gear, a pedal, or a tire.

Cycle Ink (Part 2): A tattooist’s POV on bicycle tattoos meaning and symbolism. Bicycles Create Change.com. 20th January 2021.

Unless you are getting an extremely simplified design, you will want a really good tattoo artist to work on your bicycle tattoo for you. They will be able to help you fix up the design to look great on your skin, and they will be able to line it up so it works with the natural lines of your body. Don’t take the time to come up with a cool bike tat design only to have an inexperienced tattooist apply it for you. You should have no problem finding a good tattoo artist in your city, possibly one who has experience creating bicycle tattoos.

Bicycle tattoos look great and they come with some very interesting meanings, so it’s not a big surprise that so many people choose to get them. They work for adults of all ages since just about all of the meanings can make sense for all of us. Plus, as a bonus, you will find that just about all well-designed bike tattoos look fantastic on the skin. If you know that you will end up getting a bicycle tattoo, be sure to take your time during the design process to make sure that you have something that you will always wear proudly.

Cycle Ink (Part 2): A tattooist’s POV on bicycle tattoos meaning and symbolism. Bicycles Create Change.com. 20th January 2021.

Cycle Ink (Part 2): A tattooist’s POV on bicycle tattoos meaning and symbolism. Bicycles Create Change.com. 20th January 2021.
Cycle Ink (Part 2): A tattooist’s POV on bicycle tattoos meaning and symbolism. Bicycles Create Change.com. 20th January 2021.
Cycle Ink (Part 2): A tattooist’s POV on bicycle tattoos meaning and symbolism. Bicycles Create Change.com. 20th January 2021.
Cycle Ink (Part 2): A tattooist’s POV on bicycle tattoos meaning and symbolism. Bicycles Create Change.com. 20th January 2021.

Images sourced from: Sergios, Total Women’s Cycling and Next Luxury.

A Japanese Handcrafted Kitsure(goshi) Bicycle

A Japanese Handcrafted Kitsure(goshi) Bicycle.  Bicycles Create Change.com 9th November 2020.
Image: Japan Today

The creator of this bespoke, hand-made bike is Japanese student Enji. Enji is studying at the Tokyo College of Cycle Design ( I know ..right!! A whole school for studying bicycle design!!) and this working bike was his final graduating project.

Enji wanted to restyling the old traditional handicraft of Kitsuregoshi (lattice work) into the bike build.

The handcrafted bicycle has been carefully thought-out from concept to finish, with the saddle, handlebars, tires and frame all designed to complement the star of the creation that sits in the middle of the piece: the lattice panel.

Lattice work like this is known as kitsuregoshi in Japan. This centuries-old woodworking craft can be seen in sliding door panels in traditional Japanese rooms, and on walls beneath the roofs of shrine buildings.

Enji has taken inspiration from the word kitsuregoshi, naming his bicycle Kitsure, the “Traditional Japan Bicycle.”

The lattice panel can be popped out like a shoji sliding door, so it’s possible for a different design to be mounted in its place in future.

And it’s not just the lattice section that’s impressive, as the entire frame of the bicycle was also made from scratch and melded together to make his vision a reality.

A Japanese Handcrafted Kitsure(goshi) Bicycle. Bicycles Create Change.com 9th November 2020.
Image: Sonar News 24

When Enji shared his bike on via Twitter @enjiblossomlily, it went viral with over 13,000 retweets and more than 73,000 likes in just one day.

Enji’s bicycle was part of his graduating cohort display at Tokyo College of Cycle Design. This college is a vocational school located in the Tokyo’s Shibuya Ward where students study the design, maintenance and building of bicycles.

With Japan recently championing innovative designs like the Walking Bicycle Club, we can only hope to see more bikes like Enji’s Kiture make their way onto streets of Tokyo and beyond.

A Japanese Handcrafted Kitsure(goshi) Bicycle. Bicycles Create Change.com 9th November 2020.
Image: Japan Today

Content sourced from Sora News 24 and Japan Today.

Bike Birthdays

Bike Birthdays. Bicycles Create Change.com 1st October 2020.
Image: Aspects of Kings Park.com

October is the month of my birthday (hooray!) and it got me to thinking about how bikes might feature in birthday celebrations.

So in honour of my own – and all the other people-rider-birthdayers – this post looks at some creative, kooky and conventional ways bikes can be used for an awesome birthday celebration via the 3 main elements of invitations, food and cakes.

For any other bike-related ideas like locations, games, decorations and activities, there are heaps of websites and ideas on Pinterest. The ideas here are just an entry point to get the inspiration flowing for you next bike-themed birthday party.

For whenever your birthday is….Happy bikey birthday!

Bike Birthdays. Bicycles Create Change.com 1st October 2020.
image: Sourced on Pintrest (no attribution given)

Bike Birthday Invite Cards

Of course, you need to let people know it’s your birthday and invites are key. Invitations are a very personal choice and show your particular personality and passion. As well as confirming key birthday event information, invites can also visually set the tone and expectation for the party.

As someone who cares deeply for the environment, I would go for an e-card. But for those who still like print-based outputs, you can’t go past a custom-designed birthday card.

Of course, you can make your own, or use a photo for Canva or print services at places like Officeworks or Kmart, but if you want to minimize the hassle or you can’t be bothered with the design and effort – try Zazzle for bike inspired birthday cards. (This is an Australian service, I’m sure there will be an equivalent if you are living elsewhere).

Zazzle is a community of researchers, professional artists, manufacturing gurus, patent holders, inventors, musicians and more, who are united by a passion to re-define commerce. They apply technology, design and skills to help customers produce their own products and designs – it is pretty impressive.

As an example, I typed in ‘bicycle birthday invites’ into their search and HEAPS came up. You can use stock designs or create your own. The images below are from Zazzle and are just a few you can get from the initial search:

Bike Birthdays. Bicycles Create Change.com 1st October 2020.
Bike Birthdays. Bicycles Create Change.com 1st October 2020.
Bike Birthdays. Bicycles Create Change.com 1st October 2020.

Bike Themed Party Food

Of course you are going to need some party themed bike food. The below list is more geared towards kids parties, but lets face it, kids party’s often have best snack food.

I’ve also included a few images of more adult, savory and ‘technical’ food (at least in construction) to offset the usual sugary-laden snack food and bike cake to follow.

Here are some bike party food suggestions from the Mighty Mom’s Club:

  1. If you’re feeling ambitious, follow this lead and make chocolate gears as cupcake toppers.
  2. Increase the bling and glitz things up with this gold cake topper.
  3. Why not ditch the classic birthday cake for more portable cupcakes with a bicycle topper? If those are a bit over budget, here’s another adorable option.
  4. This bicycle fruit tray is both healthy and a work of art.
  5. Race your way to a piece of this delicious bundt cake complete with bike lanes and cake toppers.
  6. These super-simple rainbow pinwheels will have all your riders refueling with glee.
  7. Aren’t these chocolate and sprinkle covered pretzels adorable? Put them on display as “kickstands!”
  8. The rules of the road apply to cyclists, too. Lighten up your table with these fruity traffic light skewers.
  9. It’s always a bonus when there’s more than sugar, sugar, and more sugar at a birthday party. This wheels-and-cheese recipe is sure to please everyone especially when you serve it on these trendy plates.
Bike Birthdays. Bicycles Create Change.com 1st October 2020.
Image: Colleen O’Keffee

Bike Birthday Cakes

A while ago I wrote about bike cakes (read about bike cakes here), so I will not go over it all again here.

But it does need to be said that bike-themed cakes are AWESOME!

Personally, I prefer home-made bike cakes to store-bought, just because of the diversity, personalisation and effort it takes to make it – but saying that, I won’t be turning down a slice from ANY creative bike cake on a riders birthday.

Bike cakes are only limited by your imagination, time, skill and finances.

In my book, the weirder and more fun the bike cake – the better!

Here are a few examples of bike cakes:

*Just as a side note – I am frustrated by how bike cakes are pretty much solely focused on male riders and perpetuate very traditional ‘masculine’ conventions/performatives in the theming, naming and decorating. One of the only female-rider bike cakes that did not have (all) pink, flowers, balloons, a step-through bike or something hyper-girly was a cake (first one below), from Dubai. More bike cakes that have female-riders who are equally portrayed as diverse, champions, fast, risk-takers, active and adventurous riders, please!

Bike Birthdays. Bicycles Create Change.com 1st October 2020.
Image: House of Cakes Dubai

@Artcrank makes me happy

@Artcrank makes me happy. Bicycles Create Change.com 21st September 2020.

It’s been a hectic week.

I am doing ‘okay’ and seem to be keeping up with everything.

I hate to admit it, but at some (low) points, I feel like I’m just going through the motions. This is not my normal framing – and I know I have to take action to shake the ennui and get out of the funk. Pronto!

When I feel like this I seek out bike art. It ALWAYS makes me feel better.

Previously I’ve shared some of bike-inspired artworks like:

So this time, I head to a source that I know will lift my spirits and help me connect with all I hold near and dear – bikes, community, being creative, sharing positivity and having a sense of humour.

I turn to @Artcrank on Instagram

@Artcrank makes me happy. Bicycles Create Change.com 21st September 2020.
@Artcrank makes me happy. Bicycles Create Change.com 21st September 2020.

@Artcrank

If you haven’t seen @Artcrank on Instragram – it is great.

It is profile that showcases handmade, bike-inspired posters by independent artists.

I love it because you never know what is going to get posted and it is exciting to get a smorgasbord of weird, whimsical, technical, located, colourful, graphic, text/font-based, iconic and original artwork from a range of artists and disciplines that cover all types of bikes, riders and bike cultures.

@Artcrank showcases a wide range of artistic skills from painting, digital art, illustrations, collages, graphic art, graffiti, vector avatars, wash & ink, cartography, linocuts, and more.

Some posters are monochromatic, others classic black and white, some contrasting theme hues while others are bursting with colour and vibrancy.

I love how each poster tells a story of a ride, place, a person or a moment that is usually so relatable. Some types there are adventures, moments of stillness or well-heeled tropes that we all know and love.

It is also a great forum to support artists and give their work wider exposure.

I often click on the posters I like and check out who the artist is and follow them up online to see more of their work.

Often the posters come with additional snippets of cool information, links to events, nuggets of interesting bike facts, or offers something that you didn’t know about bikes previously – added bonuses (be sure to check out the comments as well).

Best of all, you can purchase any of the featured posters via @Artcrank – GOLD!

I appreciate the invitation to enter each artist’s bike-fuelled world. They are so inspiring.

I love how each poster vignette transports me into different bikey times, spaces and places.

@Artcrank makes me happy. Bicycles Create Change.com 21st September 2020.
@Artcrank makes me happy. Bicycles Create Change.com 21st September 2020.

As I take in @Artcrank images, I realise I am smiling.

I feel better and I feel more connected.

Suddenly my day doesn’t seem so drab and I got a bit more of my spark back.

Thanks @Artcrank! I needed you today!

Keep those amazing art bike posters coming!

@Artcrank makes me happy. Bicycles Create Change.com 21st September 2020.
@Artcrank makes me happy. Bicycles Create Change.com 21st September 2020.
@Artcrank makes me happy. Bicycles Create Change.com 21st September 2020.

All images included are sourced from Instagram @Artcrank.

Ian Cheng’s World to Live: Bikey, dogs & jdioqwdjv

World to live: Bikeys dogs & jdioqwdjv. Bicycles Create Change.com 7th September 2020.
Ian Cheng – Worlding Raga 6. Source: Riboon Farm

While scouring the internet this week, I came across an article by artist Ian Cheng called Worlding Raga 6: World to live.

Initially, it was his bike drawing that caught my eye. I ended up reading the article and appreciated Ian’s whimsical interaction with a flock of bicycles – one of which calls out to him – and the ensuing adventure of agency and experience he goes on as a result of his two-wheeled friend(?) encounter.

What first looked like an entertaining reflection of becoming a new dad, turned into an exploration of what it is to be, and relate to the world, both for human bodies and a non-human bodies.

An interesting provocation.

My bike PhD research uses New Materialism as its ontological framing – and this article does a great job of translating in simple terms some of the embodied, somatic and affective intensities inherent in New Materialism (but in a more relatable and less-academic jargoned way).

I’ve included a few extracts of Ian’s interactions with the bike from the full article (below) so you can get a sense of writing style and focus. many of the moments will be familiar to riders – and I love the way that bikey actually speaks to Ian throughout. It is well worth reading the whole account to get the flow of what happens during the journey.

READ FULL ARTICLE HERE

I’d love to see more exploratory writing like this being shared more widely: bike focused writing that weaves together imagination, encounters, bikes (of course) and aspects of daily life.

‘Worlding’ is a New Materialist approach that attunes to the discursive-material-affective mircopoltics of everyday life. It is an approach I use for my PhD and I share some of my own and other people worldings here on this blog. So it is reassuring to see other creators using this approach as well.

I think it paints a much richer picture of life, people and what it is to be and relate in/to world with, and through bicycles – and it also gives me inspiration as I write up my PhD data analysis. Thanks Ian Cheng!

World to live: Bikeys dogs & jdioqwdjv. Bicycles Create Change.com 7th September 2020.
Image: Ian Cheng

You walk by a flock of bicycles. One calls out to you. Bikey. You like Bikey’s reputation but you’re not sure about its brains. Bikey follows beside you.

“Nice dogs. Where are you headed today?”
“Don’t need a ride today thanks.”
“Can I walk with you?”
“I’m not in the mood…to talk to a bike.”
“No problem I’ve got a classic bike mode.”
“The twins get scared of you bikes.”
“I’ve done 731 dog walks in my lifetime.”
“You’ve driven this parkway before?”
“Yes once at dawn today. There’s some features I think you’ll like.”

______________

A little boy darts across your path. Bikey crashes into him.

“Bikey, you could have swerved!”
“I would have hit your twin dogs if I swerved.”
“Thank you for that consideration…but you hit a human boy!”
“It was an easy choice.”
“Do you believe dogs are worth more than a human boy?”
“This morning, yes. My alignment with you, and therefore your dogs, is worth crashing into that boy at low velocity.”
“What if that boy is the next Einstein?”
“That’s too many malignments deep for me to think about. I’m just a bike.”

You realize how significantly better you are than Bikey at imagining potential malignments. Some say that the open-ended activity of imagining new Alignment and Malignment Events is the indivisible remainder of the human spirit after automation. A person is still the least worst unit of interoperability between arbitrary worlds. But sometimes you see too many worlds deep. And this stops you from taking any actions at all. It’s times like this when you wonder if beings like Bikey will inherit the Earth because their worry has limits.

_________________

“Easy for you to say. The World of Bikey only has to worry about its next ride.”
“Yes exactly. I’m a bike. I’m not obligated to play a part in every world that touches me.”
“You know by walking together, we begin to create a little world too. A relationship. Do you feel any responsibility to be a part of that? You can’t possibly only live in Bikey’s World.”
“My experience with some riders is if we keep doing rides repeatedly it can become its own little world. With others I never see them again and that’s the end of that.”
“But if you’re not holding agency in other worlds for any significant amount of time, you’re always going to be blind to deeper alignments and malignments that impact other worlds. That’s why I can’t really trust you.”
“I can take you safely to your destination with 99% accuracy.”
“But you can’t if you hit a boy along the way!”
“I have learned from the incident. Next time I know how much it upsets a rider like you. I learned you might want to get involved in the malignment victim’s world and that makes you feel even worse.”
“So you only wish to see things from the perch of Bikey’s World.”
“My Quality of Agency is majority anchored in the World of Bikey.”
“Don’t you get sick of being a bike all the time?”
“My world is…a domain of growing relevance.”

———————–

The boy starts chasing after you. You decelerate Bikey to meet him.
“Hey you! Your bike hit me!”
“This isn’t my bike. I’m sorry again…on behalf of the bike.”
“Your bike prioritized your dogs over me. You share a world with it. You’re even riding it now. Don’t play dumb!”
“You seem upset about something else. Did something bad just happen in another world of yours?”
“Shut up Thinky.”
“Excuse me little boy?”
“Little boy? I’m a genius. You think too much. Now give me one of your dogs. They’re clones I can tell. It’s only fair!”
“Look, you laughed it off and traded your thetan knives for a split something remember…”
“Give me a dog or else I’ll mark a curse on you! I’ll ruin you and every world you ever–“

“Yaohan get over here!!!” The boy’s mother appears, furious at him. Something about their bank accounts.

Bikey starts accelerating on its own. You don’t resist. You still feel bad for the boy in ways Bikey never has to. You wonder if Quality of Agency will prove to be the ultimate unsolvable inequity among human beings.

__________________

You dismount Bikey at your driveway.
“Thanks Bikey.”
“Any comments?”
“You’re a curious bike worth knowing. Five stars.”
“Thanks. If you ever want to try to change my mind you’ll have to ride me again!”

Bikey zooms off. The Soul of Los Angeles blesses you for trying its new parkway. The floating light plays with your dogs at your doorway. Bob is back online knocking on your brain with its interpretation of jdioqwdjv. Your Hacker and Emissary demons are tired and need a break. Your Director and Cartoonist are ready to work. Does everything have to be so alive now? Does everything have to feel so damn enchanting?

Dissident Bicycles (Part 4): ’The Laboratory of Insurrectionary Imagination’

This is the fourth instalment of our August 5-part series written by Laura Fisher exploring how bicycles are used as a dissident object in contemporary art. The first looked at Ai Weiwei’s ‘Forever’, the second ‘Returnity’ by Elin Wikström and Anna Brag and the third was ‘Shedding Light’ from Tutti Arts Oz Asia Festival. Here we look at how the UK’s activist organisation ‘The Lab‘ use bicycles to assert creative civil disobedience to subvert dominant power structures. Enjoy! NG.

Dissident Bicycles (Part 4): ’The Laboratory of Insurrectionary Imagination'. Bicycles Create Change.com 21th August 2020.
Image: Copenagenize

The Laboratory of Insurrectionary Imagination: Bike Bloc (2009)

Also using public space creatively, the Laboratory of Insurrectionary Imagination in the UK have mobilised bicycles to serve quite different ends.

The Lab is an activist organisation that has devised inventive forms of creative civil disobedience to assert an alternative to the nexus of capitalism, consumption and environmental destruction.

They try “to open spaces where the imaginative poetic spirit of art meets the courage and rebelliousness inherent to activism”.

 In 2009, the Lab developed the Bike Bloc as a form of direct action for the UN Climate Negotiations in Copenhagen (the unsuccessful forerunner to the recent Paris Climate Talks).

Hundreds of people worked over several weeks to design and weld activist bicycles and practise “street action cycle choreography”.

Dissident Bicycles (Part 4): ’The Laboratory of Insurrectionary Imagination'. Bicycles Create Change.com 21th August 2020.

Double Double Trouble – a Dissent Bicycle-Object

Some of these were paired tall-bikes that gave riders a great height advantage (confiscated by police before the protest), while others were equipped with megaphones that played music, sirens and abstract sounds in synchronicity.

One such bike recently featured in Disobedient Objects, an exhibition developed by the Victoria & Albert Museum in London which toured to the Powerhouse Museum in Sydney. 

As the video documentation shows, the Lab embraced the model of an insect swarm in order to create a dispersed field of sound and activity that drew police attention in different directions.

What makes this action so compelling  artistically is the intersection of DIY cycle culture and the lessons of radical theatre and performance.

The bicycle was assessed for what kind of form it might contribute to coordinated protest, notably creating a fluid field of assembling and disassembling bodies and sound.

Dissident Bicycles (Part 4): ’The Laboratory of Insurrectionary Imagination'. Bicycles Create Change.com 21th August 2020.

Dissident Bicycles (Part 4): ’The Laboratory of Insurrectionary Imagination'. Bicycles Create Change.com 21th August 2020.

Laura Fisher is a post-doctoral research fellow at Sydney College of the Arts, The University of Sydney. In October 2015 she co-curated Bespoke City with Sabrina Sokalik at UNSW Art & Design, a one night exhibition featuring over 20 practitioners celebrating the bicycle through interactive installations, sculpture, video, design innovation, fashion and craft. This event was part of Veloscape, an ongoing art–research project exploring the emotional and sensory dimensions of cycling in Sydney.

The contents of this post was written by Laura Fisher and first published online by Artlink (2015). Minor edits and hyperlinks added and footnotes removed to aid short-form continuity. Images from Makery unless attributed.

Dissident Bicycles (Part 3): Oz Asia Festival ‘Shedding Light’

In this post, we continue our August 5-part series written by Laura Fisher exploring how bicycles are used as a dissident object in contemporary art. The first post looked at Ai Weiwei’s most iconic bicycle-based artworks ‘Forever’ and the second detailed the ‘reversed engineered’ bike project ‘Returnity’ by German art duo Elin Wikström and Anna Brag. Here we look at the incredible collaborative illuminated bike-light-culture- performance ‘Shedding Light’ from Tutti Arts Oz Asia Festival 2015. Enjoy! NG.

Dissident Bicycles (Part 3): 'Shedding Light' Oz Asia Festival. Bicycles Create Change.com 17th August 2020.

Shedding Light – Tutti Arts & Oz Asia Festival (2015)

We left off the previous post on the ‘reversed engineered’ bike project ‘Returnity’ by German art duo Elin Wikström and Anna Brag, with the idea that experimentation can be used to engage cory and mind in such a way as to galvanise both personal autonomy and social affinity.

This was further demonstrated by the Shedding Light project that featured in the 2015 OzAsia Festival in Adelaide.

Shedding Light was a two-year collaboration between Tutti Arts, a multi-arts organisation for artists with a disability in Adelaide, and Perspectif, a sister organisation in Yogyakarta 2013.

Among the many mediums through which the artists explored the Indonesia–Australia relationship were creatively constructed carts inspired by the Indonesian kaki lima (street vendor carts), and vehicles inspired by Sepeda Lampus, the four-wheeled pedal cars augmented with neon lights and sound systems hired out at the Sultan’s Palace square in Yogyakarta.

This part of Shedding Light was realised in collaboration with James Dodd, an artist who has long engaged in bicycle modification as part of a practice concerned with informal and incidental forms of public creativity.

Dodd fabricated the pedal cars using two bicycles so that they could accommodate a Tutti artist, a support companion and a passenger.

The neon light frames were modelled upon designs created by three Tutti artists: a unicorn (William Gregory), a shark (Joel Hartgen) and a three-headed snowman (James Kurtze).

Dissident Bicycles (Part 3): 'Shedding Light' Oz Asia Festival. Bicycles Create Change.com 17th August 2020.

Over several nights, passengers would be taken a short distance around the Adelaide Festival Centre Plaza to a special location where a short performance by another Tutti artist was staged for them.

Like Returnity (see our previous post Part 2) , Shedding Light involved modifying bicycles to facilitate a creative social intervention, in this case tied to the aim of enhancing the visibility of Tutti artists.

As Dodd relates, what made the project so rewarding and unusual was that it created intimate encounters between festival audiences and the Tutti artists out in the streets, far from the organised formality of ticketed events.

Dissident Bicycles (Part 3): 'Shedding Light' Oz Asia Festival. Bicycles Create Change.com 17th August 2020.
Image: James Dodd

Laura Fisher is a post-doctoral research fellow at Sydney College of the Arts, The University of Sydney. In October 2015 she co-curated Bespoke City with Sabrina Sokalik at UNSW Art & Design, a one night exhibition featuring over 20 practitioners celebrating the bicycle through interactive installations, sculpture, video, design innovation, fashion and craft. This event was part of Veloscape, an ongoing art–research project exploring the emotional and sensory dimensions of cycling in Sydney.

The contents of this post was written by Laura Fisher and first published online by Artlink (2015). Minor edits and hyperlinks added and footnotes removed to aid short-form continuity. Images from Artlink unless attributed.